What exactly marks the end of a season and the beginning of the next? The calendar has little to do with it. Despite the subtle changes that slowly happen over days and weeks, one day these all accumulate and the transformation from summer to autumn is all too evident. A lone trembling red leaf sends out the message to all: summer has ended.
Canada geese too announce the message in the marsh with their honking call. The days are getting shorter. Even the sky and waters at sunrise seem different, less warm and more ominous of the darker, colder mornings ahead.
As if to compensate, the marsh grasses glow with golden hues. Do herons dread the colder days ahead as much as we humans do? Warm and wonderful summers are especially difficult to leave behind.
The end of summer means food will soon be difficult to find for many creatures. In the marsh, the woods, and even the house, spiders can be seen diligently spinning their webs in the hopes of capturing the last of the season’s flying insects.
Those who haven’t prepared for the colder days ahead will be singing their sad songs in the days to come.
This post was written in response to Scott Thomas’ End of Summer challenge at Views Infinitum.
All text and photographs copyright Amy-Lynn Bell 2012.





























Their soft, burnt orange needles provide a bright contrast to the clear blue sky. Being complementary colours (set opposite one another on the colour wheel), orange and blue look especially vibrant together in the autumn landscape.



In art theory, red and green are considered opposite one another on the colour wheel. These are known as complementary colours.
Whether it’s a light or bright blue, October’s sky contrasts beautifully with orange tinged leaves. Their warm and fiery hue manages to balance the crisp coolness of the clear blue sky, making autumn seem less chilling.

Isn’t it odd how the colors of leaves turn warm just as the weather cools? In art, it’s known that warm colors like red, orange and yellow advance, while cool blues, greens and purples recede.


Silhouettes of leaves can be seen trembling in the wind through the glass of the front door’s window as well. By the time witches and goblins show up at the door in a couple of weeks, they’ll be all gone.

Often painted, they may also be made of stone, colored sand or stained glass, such as in the rose windows found in Gothic cathedrals. Some, like Tibetan sand mandalas, possess an impermanent quality, as their deconstruction is also part of the ritual surrounding their creation. Mandalas might be intended as representations of the universe, the unconscious self or the relationship between the inner and outer realms. 











